An immersive interactive experience of contemporary aboriginal
dance at the Gallery of First Australians
Dr. Stephen Barrass
CSIRO-MIS, Interactive Modelling & Visualisation Systems
Tuesday 17 April at 11am
Abstract
I will describe the concept and realisation of a walk-through
experience of Aboriginal dance in the Welcome area of the Gallery
of First Australians (GFA) at the new National Museum of Australia
(NMA) which opened on March 11. The experience is an immersive
multimedia environment with a perceptual user interface that extracts
footstep features in real-time from 32 square metres of vibration
sensitive carpet. Six network sychronised PC workstations process
the footstep features and render the interactive 3d graphics and
surround sound effects over six data projectors and thirty speakers
mounted in the gallery.
The experience is based on a cycle of six dances that reflect
cultures from different parts of the country - a men's dance,
a women's dance, a fishing dance, a drumming dance, a rainbow
serpent story, and an urban dance. The six dancers are projected
life-size onto the walls of the gallery - three on each side.
Images from the GFA collection of paintings by aboriginal children
are integrated with the dance and music. The image of a snake
sculpture from the GFA collections circles the room in the period
between dances.
I will present the design and outline of the system, experiences
gained in developing the software and producing the media, and
observations of visitor responses to the installation.
Short resume
I am a reseacher in the IMVS group at the CSIRO
CMIS in Canberra where I focus on the design
of interaction and the use of sound in Virtual Environment interfaces.
I just completed a 1 year fully funded project for the National
Museum of Australia. Other current projects include an immersive
3d sound design studio in collaboration with an engineering honours
student and the ANU computer science department, and work on the
automatic synthesis of material sounds in collaborative haptics
using MPEG4. I have spent 18 months as a post-doc in the Virtual
Environments group at the German National IT research institute
(GMD) in Bonn where I worked on sonification of multidimensional
oil and gas well-logs on the Responsive Workbench, and immersive
interfaces for stories, music and games in the Cyberstage. Prior
to that I worked in the DMIS group where I proposed and
developed an MPEG audio navigation tool using signal processing
and segmentation algorithms in the compressed domain which has
continued to be developed in that group over the past four years.
I am on the Board of the International Community for Auditory
Display ICAD www.icad.org. I
have a Phd. in Information Technology from the ANU in 1996 on
the topic of Auditory Information Design and a Bach Elec Eng (hons)
from UNSW in 1987 on the topic Computer Generated Holograms.
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